In making a truly unique space, the use of custom chandeliers and design can be a real breakthrough. Discover one of the most versatile proposals created by Masiero. Born from the need to make interior design a truly personal expression of its taste and personality, the modular lighting system Raqam, designed by Marc Sadler, mixes with skill a decorative style to the maximum customization of the space.
This lighting system consists of seven modules, infinitely modular. With Raqam once you have identified the space to illuminate you will have to choose the modules that will make up your solution, defining the arrangement of the modules in the space. The same module can give life to different solutions, being possible to choose the inclination, the radial repetitions, rather than the repetitions in height, length and width.
By tilting the modules differently it is possible to obtain various shapes and sizes, both ceiling and wall. Contemporary aesthetics have highlighted a visceral need to be oneself in every area. From fashion to furniture, from your own look to life choices, every detail with which you present yourself to the world tells your true self. Why shouldn’t all this be reflected in the choices of lighting design in the home rather than in the contract world? When designing lighting, the choice of a modular lamp also makes this detail a statement of style.
Author of the article Alessia D’Alesio Global Marketing & Communication Manager, Masiero
Knowing the importance of lighting for an hotel and the sector trends is essential to approach a complete lighting project for hotels.
Hospitality is a world in continuous evolution and, compared to the past, the change seems to have become even faster, so much so that hotels must constantly update, renew themselves, adapting to the changes underway.
A good hotel must be able to make the guest feel at home, with a warm and hospitable atmosphere.
The lighting of the hotel contributes significantly to the experience of the guest, not so much for the function related to visibility, but for the emotions that it is able to arouse.
The atmosphere you need to recreate with the right lights must be welcoming, pleasant and functional, so as to allow guests to easily and comfortably orient themselves in any space of the hotel.
For example, the lobby of a hotel, often considered a crossing point, a simple transit to reach the rooms or other areas of the structure, is actually a very important space, as it provides the first impression of the structure, makes guests understand where they are, the tone and type of hotel.
The light will be able to convey exactly the image that the hotel wants to give its guests.
Therefore, designing the right lighting is essential: depending on the identity of the hotel, you can choose to light up the reception desk with a scenic installation, as in the case of Vollee, or by using a solution with a simpler but still impactful form, as in the case of Libe.
In public areas such as a lounge it is important to recreate an intimate and relaxing atmosphere, so the light will have to ensure the right lighting without being too strong.
On a stylistic side one can dare in some cases to work with contrasts, inserting more classic chandeliers such as Crek in modern contexts.
In the rooms, however, the light must take on a more practical but flexible role. It should be possible to adjust it according to your needs. Adopting a lighting system that can adapt to the needs of the guest, means allowing him to recreate in an autonomous and impromptu way the atmosphere most pleasing to him. Iglù is perfect thanks also to the system of dimerability, which will allow the guest to adjust the intensity of the light according to his needs.
In corridors, the light must be functional to identify the path to the rooms, stairs, or access to elevators, so it is necessary to vary the lighting levels, often mixing technical lighting with decorative lighting, in order to ensure the right lighting with even a dose of design.
Iglù is a transversal collection, which finds its correct application even in the case of a corridor of a hotel, being able to manage the length of the cables as appropriate.
Author of the article Alessia D’Alesio Global Marketing & Communication Manager, Masiero
Dear Junaid,how is the creative idea behind the project born?
The idea was born out as with all my projects from a need to resolve the current problems and issues with the current space and its personality.
How do you prepare for project development?
By understanding its current issues, client’s aspirations and what the space needs from an objective point of view, which could be different to the clients vision.
What are the aspects that most affect your choices? The space? The personality of the customer?
The choices can dictate them selves based on the space you have to deal with and how you see the space as you flow through it addressing the focal points and directing a person visually through it.
The personality of a customer usually can also affect choices and direction but the hope is the idea is sold well enough for the customer to be onboard.
How does the research of suppliers take place? What are the fundamental characteristics they must have?
My research is based on two methods the first is based on my knowledge of products based on product collections I’ve seen physically and through web or printed material and the other is by methodical selection of ‘brands’ and their design ethos for the right fit for the project and seeing if there is a product of the size and style which works. Sometimes it’s a beautiful marriage and fit, as it was in my case for the Marhaba project.
What is the lighting role in your project? When do you choose the light?
The lighting is a key component in any design in any space.
How the space is lit is very important and where it’s a feature piece or architectural it is the one element that has the power to create drama or tranquillity.
There is no right methodology as to when you might select a light, however I generally form a shape or a layout of the space and begin the lighting selection to fit the designs personality.
What kind of relationship do you have with your suppliers? Do you actively involve them in the process? If so, to what extent?
Usually the relationships with suppliers are kept close and helps to meet the representatives to see new collections. In terms of actively involving suppliers this engagement is usually initiated when there is a selection made and requires more information or if product can be modified for the project i.e. if a light fitting can be made larger or smaller.
If you were to share advice with your colleagues about lighting décor, what would you suggest?
To collate brands that create unique lighting pieces which would help in forming its design language. To be well informed of current collections and ahead of the curve and brands that work towards that idea.
If you were to share advice with final customer, what would you suggest to weigh up for their purchases?
In all instances my work relys on focus points within the interiors and feature lights are weighted equally to some of the main features of the space as your eye is always drawn to the brighter objects.
Why did you choose Masiero?
Masiero has a beautiful collection of unique lighting products that create detailed finishes and simple shapes, which have immediate visual impact.
After Two years of art school Junaid Khan studied a degree in Furniture design at the ‘London College of Furniture’ and a Masters in Manufacturing Engineering before working in digital and 3d design. In 2009 he founded and created ‘Bibi Interiors’ designing interiors with bespoke furniture elements in his work, nominated for 6 design wards and international design awards from SBID and Northern design awards.
Establishing the lighting of a restaurant is one of the crucial steps to making the space unique and sophisticated. Follow our tips to make the most of the room and tables.
Who is collecting ideas for decorating the dining room of a restaurant should always keep in mind the importance of lights. Their location, intensity, choice of design lamps and chandeliers have a huge impact on the overall allure of the space.
To find the perfect lamps for a restaurant room, you need to keep in mind different elements and mix them tastefully into the decor of the entire room.
The lighting technology like the choice of the lights position inside a space, is part of the interior design of the dining room since the first drafts. To renovate a restaurant or create it from scratch, thinking about lights is indispensable.
Three key elements must be keep in mind:
• the style of the general furnishing; • the atmosphere you want to give to the restaurant; • the concrete role of the chosen lamps.
If it is true that a restaurant needs a cozy and sometimes romantic atmosphere, it is equally true that diners need a functional light to enjoy the dishes that will be served to them.
So be careful not to leave the lighting of a restaurant entirely to the ambient lights, the soft ones that create atmosphere. It is very important to have direct lights such as pendant lamps on each table, to allow moments of conviviality among diners.
At the moment when the ideas for furnishing the restaurant are established, identifying the points of entry of natural light and the degree of exposure of the environment is useful for several reasons. Natural light can be used in some hours of the day, especially if the restaurant has large windows and a beautiful view, while in other situations it should be screened, with blackout curtains or impalpable fabrics according to the atmosphere you want to create.
Where natural light is lacking, the restaurant’s lighting becomes even more important. Those who create the project of the dining room will have to provide several lamps and chandeliers to allow a lit and welcoming space to the diners of each table.
A beautiful idea for the lighting of the restaurant are the chandeliers, large or small or multiple. Choosing them in harmony with other furniture ideas will allow you to have a harmonious and elegant room.
For example, in a contemporary-style dining room with golden details, the Honicè suspension will look great, both on the bar counter and on the individual tables. The linear shape of the painted metal frame in an elegant matt gold is made precious by the diffusers in natural onyx slabs.
The Cupole, characterized by an essential design but made unique by the double internal/ external finish, will be the optimal choice for common areas of restaurants with large surfaces.
A restaurant with a glam taste can be perfectly illuminated by Posy, which with its minimal and refined shape elegantly illuminates the tables.
Author of the article Alessia D’Alesio Global Marketing & Communication Manager, Masiero
Dear Sanjyt , How is the creative idea behind the project born?
I believe in writing stories based on client briefs. I don’t repeat concepts and details. Once a space has been designed, there isn’t another one which will have the same elements. I don’t label myself a designer. I am more of an interpreter. I always try and put people who own the space in the environment and think how they would feel. A space should always reflect the style of the inhabitants.
How do you prepare for project development?
We aim to detail every millimeter before the project goes on the floor. It creates a solid base work for the project and also lessens the chances of unnecessary surprises showing up later.
What are the aspects that most affect your choices? The space? The personality of the customer?
We’ve heard a lot about androgyny in fashion but not as much in interiors. That’s one rule I follow while designing a space. A space shouldn’t be gender specific unless it has specific needs. Design to me is very personal. It’s an expression of your taste. And if it doesn’t create conversations, it’s not design. That doesn’t necessarily mean it should be avant-garde. It must have a story. A lot of design is story-telling. But the story also needs to be practical. Beauty lies in details. It’s always that extra mile that gives me satisfaction.
I believe in two cardinal rules:
Go Big or Go Home.
Oh wait! Aren’t we already home? So, let’s just go big. I’ve always felt that your home should be an extension of your space or your style. If you love Glam, go for Glam. Embrace grandeur. It is something I have always believed even before Covid-19. And as we settle into the new normal it has become increasingly important.
Art is necessary. What is a space without art? Art is story-telling. It doesn’t necessarily have to harmonize with the surroundings. I say, take risks, mix eras. Not only does art bring life to a room but it also adds colour and inspiration. It builds a confident living environment.
How does the research of suppliers take place? What are the fundamental characteristics they must have?
This is very project centric. We choose our suppliers based on the design language of the project.
What is the lighting role in your project? When do you choose the light?
Without doubt lighting is one of the key elements in every space I design. Infact, It is the hero. I choose lighting very early on in the design process.
What kind of relationship do you have with your suppliers? Do you actively involve them in the process? If so, to what extent?
I suggest the suppliers should answer the first part of this question. Lol! On a serious note it is important to maintain a healthy relationship with the suppliers. They are an important part of any and every project. It is extremely important to involve them in the process. They know their products better than anyone. I feel it is important to trust them. We share a design brief and floor plans with our suppliers and wait for them to revert with the right products. I am known to make them work hard till I don’t find the right product.
If you were to share advice with your colleagues about lighting décor, what would you suggest?
Decorative lighting is an integral part of any space and in most cases, it is an afterthought. I would suggest to choose your lighting while designing the space. Not only it helps you in budgeting the space but also helps you balance design.
If you were to share advice with final customer, what would you suggest to weigh up for their purchases?
I insist on finalising budgets before we start the project. It helps us to distribute it evenly doing justice to the design of the space. I insist on keeping sufficient budget for lighting and art.
Why did you choose Masiero?
I remember seeing the Nappe’s at Salone in 2019 and I immediately fell in love with them. I know I wanted to make them the hero of this large project I was working on. I didn’t want to use them independently as I believe in the power of multiples.
Farm 21 is a farmhouse to serve as vacation home nestled amongst sprawling farms in Rajokri, New Delhi. The site area is 48000 square feet, with a built up area of19000 square feet.
Sanjyt Syngh is the founder, owner and creative director of his company. They are a New Delhi based; globally minded design consultancy dedicated to luxury spaces. The Delhi based designer and stylist. Besides winning a lot of top Indian awards, Sanjyt has thrice been named as Top 100 Interior Designers in the World in 2016, 2018 and 2020.
Masiero conferma la sua presenza sulla stampa internazionale di settore, ottenendo visibilità sulle testate nazionali ed estere. Partendo dall’Italia fino ad arrivare all’estremo oriente, le novità Masiero sono apprezzate dalle principali redazioni, che ringraziamo calorosamente per l’attenzione nei nostri confronti.
Masiero confirms its presence in the international trade press, obtaining visibility on national and foreign magazines. Starting from Italy to the Far East, the Masiero novelties are appreciated by the main editors, whom we warmly thank for their attention to us.
